نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشگاه آزاد اسلامی رودهن
2 استادیار زبان و ادبیات انگلیسی دانشگاه آزاد اسلامی رودهن
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
The aim of the present study is to compare Inferno in Dante’s Divine Comedy with Salvador Dali’s selected paintings. The researchers seek to find differences, similarities, reflections of Freud’s psychoanalytic theories, and analyzed the symbols and signs in Dali’s paintings. Inferno in Dante’s Divine Comedy consists of thirty-four cantos from which the current study has selected images that illustrate the differences, similarities, psychoanalytic theories of Freud, and symbols in Dali’s paintings. The present research is analytical-comparative study which has used the American school of comparative literature in analyzing the above examples. In this study, the researchers have used Freud’s theories as a research method. The corpuses of the current study are Dante’s Inferno and Dali’s adaptive paintings. This study has chosen the Inferno because this Comedy inspired Dante in the form of dream, in other words, it is the product of the unconscious mind. On the other hand, Dali’s Paintings have been analyzed because he was a surrealist painter who portrayed dreams and the unconscious in his works. In this comparative study of Dali’s paintings of Dante’s Inferno, Dali mostly focused on human’s unconscious and psychosexual symbols.
Keywords: Adaptation, Dante’s Inferno, Salvador Dali, Sigmund Freud, Oedipus Complex, Electra Complex
کلیدواژهها [English]
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